As war looms in Europe, a group of travellers gathers at a hotel in Bavaria. While they are waiting for their train, American Amanda Kelly drinks a bit too much and does an impersonation of Hitler, which does not go down well with the Nazi stormtroopers looking on. A scuffle breaks out, during which Amanda receives a hefty blow on the head. Later, aboard the train and feeling somewhat the worse for wear, she has breakfast with Miss Froy, a cheerful British nanny, and the two become friends. Then, after she has slept off her ‘illness’, Amanda tries to find Miss Froy again. But, now it seems that she has vanished and, even worse, her fellow passengers insist that the lady never existed!
Production Details
A Hammer film presented by The Rank Organisation and released by Rank Film Distributors Limited Copyright MCMLXXlX Rank Film Productions Limited – All rights reserved
MPAA Approved Certificate
All characters and events in this picture are fictitious. Any similarity to actual events or persons living or dead is purely coincidental and unintentional
Based on the novel by Ethel Lina White, and the screenplays by Sidney Gilliat and Frank Launder
This motion picture is protected under the laws of the United States and other countries and its unauthorised duplication distribution or exhibition may result in civil liability and criminal proceedings
Filmed at Pinewood Studios, London, England and on location in Austria with the (co-operation of the Austrian Federal Railways
Processed at Rank Film Laboratories 97 mins
Filming Began: 16th September 1978
UK Release: 5th May 1979
Studio:
Pinewood Studios, Iver Heath, Buckinghamshire
Location:
Feistritz im Rosenthal, Karawanken Mountains, Carinthia, Austria
Klagenfurt – Rosenbach Railway Line, Carinthia, Austria
London, England
Stills from film
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Original Poster
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Footnotes
Remaking any classic film is dangerous, but remaking Hitchcock can be regarded as verging on the suicidal and, although Rank had some success the previous year with The Thirty-Nine Steps, The Lady Vanishes was a disaster, mauled by the critics and ignored by the paying public. It spelt the end of the road for Michael Carreras and very nearly for Hammer as well, which would have gone under had Roy Skeggs not returned to rescue the Company from oblivion. From now on, though, there would be no more feature films and the ‘new’ Hammer concentrated on works for television, notably the series Hammer House of Horror and Hammer House of Mystery and Suspense. Fortunately for us, however, a fine legacy of their many classics remains.
Elliott Gould’s films include The Night they Raided Minsky’s (1968), Bob & Carol & Ted & Alice (1969), M*A*S*H (1970), Capricorn One (1977), The Naked Face (1984) and The Player (1992).
Cybill Shepherd later starred in her popular comedy show Cybill.
Angela Lansbury’s films include The Picture of Dorian Gray (1945, for which she was Oscar-nominated), Samson and Delilah (1949), The Court Jester (1956), Blue Hawaii (1961), Bedknobs and Broomsticks (1971) and Death on the Nile (1978). In recent years, she has concentrated on her role as Jessica Fletcher in the long-running series Murder, She Wrote.
Ian Carmichael is one of Britain’s most popular comedy actors. His films include Private’s Progress (1956), Brothers in Law (1956), Lucky Jim (1957), I’m All Right, Jack (1959), School for Scoundrels (1960) Heavens Above! (1963), The Magnificent Seven Deadly Sins (1971) and Amicus’s From Beyond the Grave (1973).
