1965 BBFC Cert. “X”

The Nanny

Nanny is the mainstay of the Fane household, so why does ten-year-old Joey hate her so much? She seems so sweet and innocent, yet he will not eat anything cooked by her, will not sleep in a room prepared by her and will not even take a bath unless she swears to keep out of the room. There must be something wrong with Joey, because there can’t possibly be anything wrong with Nanny, can there:…?.

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Production Details

A Hammer film production presented by Associated British Productions Limited afld released through Warner-Pathe Distributors Limited (UK) and Twentieth Century-Fox (USA
Copyright MCMLXV Hammer Film Productions Ltd.- All rights reserved
MPAA Approved Certificate

The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character, or history of any person is entirely accidental and unintentional

RCA Sound System
Made at the Elstree Studios of Associated British Productions Limited, Herts, England
Black and White 93 mins

Filming Began: 5th April 1965
UK Release: 7th November 1965

Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire

Chester Terrace, Regent’s Park, London – The Fane’s Apartment
Wall Hall, Hertfordshire – Psychiatric hospital
Walmer Road, Notting Hill, London – The Abortionists house
Lockton St, Notting Hill, London – Bridge scene

Stills from film

Click an image for enlarged slideshow

Cast & Crew

Red = Uncredited

Original Poster
The Nanny 1965

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This was Hammer’s last black and white production.

Bette Davis’s roles in this film and in The Anniversary (1968) came about as a result of the fact that Hammer at the time was co-owned by the Hyams, her son-in-law’s family.

Seth Holt, a very experienced film editor from the golden school of Ealing, directed two other films for Hammer – Taste of Fear (1961), and Blood from the Mummy’s Tomb (1971).

Pamela Franklin played the little girl Flora, one of the children beset by ghosts in Jack Clayton’s chilling film The Innocents (1961), which was photographed by Freddie Francis.

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