Georges Bonner has a terrible secret. Although he has the appearance of someone in his thirties, he is in fact over a hundred years old! But his eternal youth comes at a price – every ten years he must undergo a pituitary gland transplant carried out by his scientific partner, Ludwig, and, in the period leading up to the operation, take a potion distilled from glands to stay alive.
Bonner is horrified when Ludwig, now an old man, arrives for the operation, but is unable to perform it because of a stroke he has just suffered. Desperate, and driven nearly insane by the fear of old age and death, he resorts to kidnapping, blackmail and murder in a last-ditch effort to force another surgeon, Pierre Gerard, to take Ludwig’s place.
Production Details
A Hammer production released by Paramount Pictures
Copyright MCMLIX by Cadogan Films Ltd.
MPAA Approved Certificate No. 19176
RCA Sound Recording
Produced at Bray Studio
Colour by Technicolor 83 mins
Filming Began: 17th November 1958
UK Release: 13th November 1959
Studio:
Bray Studios, Down Place, Oakley Green, Berkshire
Stills from film
Click an image for enlarged slideshow
Cast & Crew
Cast & Crew – Verified complete
Crew | Name | Age at Release | Birth | Death | Age | Hammer Credits | Uncredited | Total Hammer | |
Assistant Director | John Peverall | 28 | 1931 | 3 Oct 2009 | 78 | 21 | 21 | ||
Associate Producer | https://www.hammer-graveyard.org.uk/anthony-nelson-keys/# | 48 | 13 Nov 1911 | 19 Mar 1985 | 73 | 43 | 43 | ||
Camera Operator | https://www.hammer-graveyard.org.uk/len-harris/# | 43 | 19 May 1916 | 21 Feb 1995 | 78 | 63 | 2 | 65 | |
Cashier | Ken Gordon | 10 | 10 | ||||||
Chief Electrician | Jack Curtis | 3 | 24 | 27 | |||||
Construction Manager | Michael Lyons | 11 | 11 | ||||||
Continuity | Shirley Barnes | 2 | 2 | ||||||
Director | https://www.hammer-graveyard.org.uk/terence-fisher/# | 55 | 23 Feb 1904 | 18 Jun 1980 | 76 | 31 | 31 | ||
Director of Photography | Jack Asher BSc | 43 | 29 Mar 1916 | Apr 1991 | 75 | 13 | 13 | ||
Editor | John Dunsford | 33 | 11 Oct 1926 | 1995 | 68 | 5 | 5 | ||
Focus Puller | https://www.hammer-graveyard.org.uk/harry-oakes/# | 38 | 16 Jan 1921 | 11 Dec 2012 | 91 | 3 | 56 | 59 | |
From a play by | Barre Lyndon | 63 | 12 Aug 1896 | 23 Oct 1972 | 76 | 1 | 1 | ||
Hair Stylist | Henry Montsash | 54 | 17 Sep 1905 | 29 Sep 1974 | 69 | 16 | 16 | ||
Make-up Artist | https://www.hammer-graveyard.org.uk/roy-ashton/# | 50 | 16 Apr 1909 | 10 Jan 1995 | 85 | 36 | 4 | 40 | |
Master Carpenter | Charles Davis | 9 | 9 | ||||||
Master Painter | Lawrence Wren | 12 | 12 | ||||||
Master Plasterer | https://www.hammer-graveyard.org.uk/arthur-banks/# | 19 | 29 | 48 | |||||
Music Composer | Richard Bennett | 23 | 29 Mar 1936 | 24 Dec 2012 | 76 | 3 | 1 | 4 | |
Musical Supervisor | https://www.hammer-graveyard.org.uk/john-hollingsworth/# | 43 | 20 Mar 1916 | 29 Dec 1963 | 47 | 37 | 3 | 40 | |
Producer | https://www.hammer-graveyard.org.uk/michael-carreras/# | 31 | 21 Dec 1927 | 19 Apr 1994 | 66 | 98 | 9 | 107 | |
Production Designer | https://www.hammer-graveyard.org.uk/bernard-robinson/# | 47 | 28 Jul 1912 | 2 Mar 1970 | 57 | 46 | 4 | 50 | |
Production Manager | https://www.hammer-graveyard.org.uk/don-weeks/# | 55 | 15 Nov 1904 | Mar 1988 | 83 | 31 | 31 | ||
Property Buyer | Eric Hillier | 39 | 1920 | 1975 | 55 | 17 | 17 | ||
Property Master | Tom Money | 42 | 1917 | 1974 | 57 | 2 | 21 | 23 | |
Screenplay | https://www.hammer-graveyard.org.uk/jimmy-sangster/# | 31 | 2 Dec 1927 | 19 Aug 2011 | 83 | 66 | 2 | 68 | |
Second Assistant Director | Tom Walls | 47 | 31 May 1912 | 28 Nov 1992 | 80 | 1 | 10 | 11 | |
Sound Recordist | https://www.hammer-graveyard.org.uk/jock-may/# | 54 | 1905 | 8 Jan 1991 | 86 | 31 | 1 | 32 | |
Studio Manager | Arthur Kelly | 4 | 4 | ||||||
Supervising Editor | https://www.hammer-graveyard.org.uk/james-needs/# | 40 | 17 Oct 1919 | 4 Feb 2003 | 83 | 113 | 1 | 114 | |
Third Assistant Director | https://www.hammer-graveyard.org.uk/hugh-harlow/# | 20 | 17 Jun 1939 | 17.06.1939 | 85 | 6 | 34 | 40 | |
Wardrobe | https://www.hammer-graveyard.org.uk/molly-arbuthnot/# | 50 | 19 Dec 1908 | 31 Oct 2001 | 92 | 48 | 5 | 53 | |
Cast | Name | Age at Release | Birth | Death | Age | Hammer Credits | Uncredited | Total Hammer | |
Art Lover | https://www.hammer-graveyard.org.uk/charles-lloyd-pack/# | 57 | 10 Oct 1902 | 22 Dec 1983 | 81 | 8 | 8 | ||
First Doctor | Lockwood West | 54 | 28 Jul 1905 | 28 Mar 1989 | 83 | 2 | 1 | 3 | |
Footman | Frederick Rawlings | 44 | 19 Aug 1915 | 2003 | 87 | 1 | 3 | 4 | |
Georges Bonner | Anton Diffring | 43 | 20 Oct 1916 | 19 May 1989 | 72 | 3 | 3 | ||
Guest at Private Viewing | Fred Stroud | 4 | 4 | ||||||
Inspector Legris | Francis De Wolff | 46 | 7 Jan 1913 | 18 Apr 1984 | 71 | 3 | 1 | 4 | |
Janine Dubois | Hazel Court | 33 | 10 Feb 1926 | 15 Apr 2008 | 82 | 2 | 2 | ||
Little Man | Middleton Woods | 73 | 20 Sep 1886 | 1974 | 87 | 2 | 2 | 4 | |
Ludwig | Arnold Marle | 72 | 15 Sep 1887 | 21 Feb 1970 | 82 | 4 | 4 | ||
Margo | Delphi Lawrence | 27 | 23 Mar 1932 | 11 Apr 2002 | 70 | 2 | 1 | 3 | |
Morgue Attendant | https://www.hammer-graveyard.org.uk/michael-ripper/# | 46 | 27 Jan 1913 | 28 Jun 2000 | 87 | 34 | 2 | 36 | |
Pierre Gerard | https://www.hammer-graveyard.org.uk/sir-christopher-lee/# | 37 | 27 May 1922 | 7 Jun 2015 | 93 | 22 | 22 | ||
Roget | Ian Hewiston | 2 | 2 | ||||||
Second Doctor | Ronald Adam | 62 | 31 Dec 1896 | 26 Mar 1979 | 82 | 1 | 1 | ||
Servant | John Harrison | 2 | 2 | ||||||
Street Girl | Gerda Larsen | 1 | 1 | ||||||
Tavern Customer | https://www.hammer-graveyard.org.uk/denis-shaw/# | 38 | 7 Apr 1921 | 28 Feb 1971 | 49 | 4 | 3 | 7 | |
Tavern Customer | John Timberlake | 54 | 5 Dec 1904 | 8 Nov 1993 | 88 | 5 | 5 | ||
Tavern Customer | Louis Matto | 49 | 16 Aug 1910 | 16 Apr 1989 | 78 | 5 | 5 | ||
Tavern Customer | Renee Cunliffe | 1 | 1 | ||||||
Third Doctor | Barry Shawzin | 30 | 21 Jun 1929 | 28 Mar 1968 | 38 | 2 | 2 | ||
Woman at Private View | Marie Burke | 65 | 18 Oct 1894 | 21 Mar 1988 | 93 | 3 | 1 | 4 |
Original Poster
Click to enlarge
Footnotes
The film was based on the play The Man in Half Moon Street, which had already been filmed by Paramount in 1944, with Nils Asther and Helen Walker and directed by Ralph Murphy.
Anton Diffring became a familiar face, usually playing Nazis in war films such as The Heroes of Telemark (1965) and Where Eagles Dare (1968). He also appeared in the occasional horror film, e.g. Circus of Horrors (1960) and Amicus’s The Beast Must Die (1974, with Peter Cushing). His last film for Hammer was the Hong Kong based martial arts movie Shatter (1974); he also had the misfortune of starring in their doomed fiasco, the TV pilot The Tales of Frankenstein (1958)