Song of Freedom – 1936

A Hammer production distributed throughout the United Kingdom and Irish Free State by British Lion Film Corp. Ltd., 76-78 Wardour Street, London W1 – S.W. Smith, Managing Director
Recorded on High Fidelity RCA Photophone
Black & White 80 minutes
Storyline
The film is a musical star vehicle for Paul Robeson. It opens with the on-screen information “Africa – the island of Casanga, off the West Coast – in the year 1700 A.D. The island had not yet attracted the attention of the slave traders on the mainland, but its people suffered as fierce an oppression under their hereditary queen Zinga – tyrant, despot, mistress of cruelty”.
After a short prologue, in which the wicked queen’s son and his wife make their escape from the island and are taken into slavery, the action transfers to modern day London. There, John Zinga (Paul Robeson) works as a docker. A gentle giant with a magnificent singing voice, his talent comes to the notice of operatic impresario Donezetti (Esme Percy). Soon, John becomes a world-famous singer, but, tortured by thoughts of his roots, he eventually gives up his new career and determines to use his fortune on finding his real home and helping his own people.
Click here to watch the full film on YouTube



Crew
Function | Credited | Age at Release | Birth | Death | Age | Hammer Productions | ||
Credited | Uncredited | Total | ||||||
Art Director | Norman Arnold | 43 | 19 Sep 1892 | 7 Dec 1963 | 71 | 2 | 2 | |
Ast. Director | Arthur Allcott | 42 | 20 Jul 1894 | 4 Jan 1986 | 91 | 1 | 1 | |
Director | J. Elder Wills | 36 | 26 Apr 1900 | 1970 | 69 | 22 | 22 | |
Editor | Arthur Tavares | 52 | 10 Jan 1884 | 27 May 1954 | 70 | 1 | 1 | |
Lyrics | Henrik Ege | 42 | 30 Dec 1893 | 28 Jul 1962 | 68 | 1 | 1 | |
Music | Eric Ansell | 35 | 21 Aug 1900 | 1981 | 80 | 2 | 2 | |
Photog. 1 | Eric Cross | 34 | 31 May 1902 | 1 Mar 2004 | 101 | 4 | 4 | |
Photog. 2 | Harry Rose | 34 | 1 Jan 1902 | 14 Jan 1955 | 53 | 1 | 1 | |
Photog. 3 | Thos Glover | 1 | 1 | |||||
Production Supervisor | Henry Passmore | 31 | 1905 | Aug 1987 | 82 | 4 | 4 | |
Sound Engineer | Harold King | 28 | 3 Nov 1907 | 22 May 1959 | 51 | 2 | 2 |
Cast
Character | Actor | Age at Release | Birth | Death | Age | Hammer Productions | ||
Credited | Uncredited | Total | ||||||
Alf | Alf Goddard | 39 | 28 Nov 1896 | 23 Feb 1981 | 84 | 1 | 1 | |
Bert Puddick | George Mozart | 72 | 15 Feb 1864 | 10 Dec 1947 | 83 | 4 | 4 | |
Blane | Ronald Simpson | 39 | 27 Sep 1896 | 23 Sep 1957 | 60 | 1 | 1 | |
Donezetti | Esme Percy | 49 | 8 Aug 1887 | 16 Jun 1957 | 69 | 1 | 1 | |
Endobo - The Witch Doctor | Arthur Williams | 1 | 1 | |||||
Gatekeeper | Sydney Benson | 1 | 1 | |||||
John Zinga | Paul Robeson | 38 | 9 Apr 1898 | 23 Jan 1976 | 77 | 1 | 1 | |
Mandingo | Ecce Homo-Toto | 1 | 1 | |||||
Marian | Jenny Dean | 33 | 22 Nov 1902 | 16 Jan 1968 | 65 | 1 | 1 | |
Monty | Robert Adams | 30 | 1906 | 1965 | 59 | 1 | 1 | |
Native Leader | James Soloman | 1 | 1 | |||||
Nell Puddick | Joan Fred Emney | 34 | 4 Sep 1901 | Dec 1983 | 82 | 1 | 1 | |
Potman | Will Hammer | 48 | 21 Nov 1887 | 1 Jun 1957 | 69 | 1 | 3 | 4 |
Queen Zinga | Cornelia Smith | 42 | 30 Dec 1893 | 28 Jul 1962 | 68 | 1 | 1 | |
Ruth Zinga | Elisabeth Welch | 32 | 27 Feb 1904 | 15 Jul 2003 | 99 | 1 | 1 | |
Sir James Pyrie | Bernard Ansell | 54 | 16 Sep 1881 | 25 Jul 1958 | 76 | 1 | 1 | |
Trader | Ambrose Manning | 78 | 14 Aug 1858 | 22 Mar 1940 | 81 | 1 | 1 | |
With | Johnnie Schofield | 47 | 10 Mar 1889 | 9 Sep 1955 | 66 | 2 | 2 | |
With | Arthur Elliott | 1 | 1 | |||||
Uncredited | ||||||||
Man at Sing Song | Jack Sharp | 4 | 4 | |||||
Woman | Cathleen Cavanagh | 1 | 1 |
Production
UK RELEASE | 17 August 1936 | |
STUDIO | British Lion Studios, Beaconsfield, Buckinghamshire | |
Footnotes
Will Hammer (Anthony Hinds’ father) and George Mozart, who both appear in this film, were among the original founders of Hammer Films.
Production supervisor H. Fraser Passmore was also on the board at this time.
The Director, J. Elder Willis, worked on later Hammer films as Art Director.
Details were complied viewing the actual film.
Source of viewing copy – The Hammer Graveyard Collection