Mutiny on the Buses – 1972

A Hammer Special Comedy Presentation released through MGM-EMI Film Distributors Limited Copyright MCMLXXII Hammer Film Productions Limited – All rights reserved
MPAA Approved Certificate No. 23320
The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character, or history of any person is entirely accidental and unintentional
RCA Sound System
Made at EMI-MGM Elstree Studios, Hertfordshire, England
Technicolor 89 mins
Storyline
When Stan gets engaged to conductress Susy, it comes as a bit of a blow to his family since, especially now that Olive and Arthur have a baby, they rely on his earnings to keep them going. To help boost the family income, Stan makes the mistake of offering to teach Arthur how to drive a bus. Meanwhile, Inspector Blake, determined to improve the efficiency of his layabout workers, makes himself even more unpopular by installing radio receivers in the cabs of the buses. The scene is set for more anarchic, knockabout comedy!
Watch the trailer on YouTube



Crew
Function | Credited | Age at Release | Birth | Death | Age | Hammer Productions | |||
Click a link for more info | Credited | Uncredited | Total | ||||||
Ast. Art Director | Don Picton | 56 | 22 Feb 1916 | Nov 1981 | 65 | 15 | 2 | 17 | |
Ast. Director | Ken Barker | 54 | 1 Jan 1918 | 13 Feb 2001 | 83 | 10 | 10 | ||
Camera Operator | Neil Binney | 41 | 1 Jun 1931 | 91 | 17 | 10 | 27 | ||
Construction Manager | Arthur Banks | 18 | 29 | 47 | |||||
Continuity | Doreen Dearnaley | 43 | 20 Nov 1928 | 3 Feb 1992 | 63 | 13 | 13 | ||
Director | Harry Booth | 2 | 2 | ||||||
Director of Photog. | Mark McDonald BSc | 2 | 2 | ||||||
Dubbing Mixer | Bill Rowe | 41 | 2 Feb 1931 | 29 Sep 1992 | 61 | 10 | 10 | ||
Film Editor | Archie Ludski GBFE | 43 | 19 Jul 1929 | 10 Oct 2004 | 75 | 5 | 1 | 6 | |
Gaffer | Roy Bond | 1 | 1 | ||||||
Hairdressing S/visor | Ivy Emmerton | 7 | 7 | ||||||
Make-up Supervisor | Eddie Knight | 47 | 14 Mar 1925 | 27 Aug 1996 | 71 | 31 | 31 | ||
Music Composer | Ron Grainer | 49 | 11 Aug 1922 | 21 Feb 1981 | 58 | 1 | 1 | ||
Musical Supervisor | Philip Martell | 64 | 6 Oct 1907 | 11 Aug 1993 | 85 | 104 | 1 | 105 | |
Producer | Ronald Chesney | 52 | 4 May 1920 | 12 Apr 2018 | 97 | 6 | 6 | ||
Producer | Ronald Wolfe | 49 | 8 Aug 1922 | 18 Dec 2011 | 89 | 6 | 6 | ||
Production Designer | Scott MacGregor | 57 | 22 Oct 1914 | 1971 | 56 | 14 | 1 | 15 | |
Production Manager | Christopher Neame | 29 | 24 Dec 1942 | 12 Jun 2011 | 68 | 15 | 9 | 24 | |
Production Supervisor | Roy Skeggs | 38 | 1 Apr 1934 | 29 Dec 2018 | 84 | 45 | 1 | 46 | |
Recording Director | A.W. Lumkin | 59 | 1 Feb 1913 | 25 Oct 1985 | 72 | 30 | 30 | ||
Sound Editor | Roy Baker | 45 | Jul 1927 | Feb 2011 | 83 | 29 | 1 | 30 | |
Sound Recordist | John Purchese | 47 | 21 Feb 1925 | 21 Dec 2008 | 83 | 4 | 4 | ||
Wardrobe Master | Mike Jarvis | 1 | 1 | ||||||
Wardrobe Supervisor | Dulcie Midwinter | 62 | 7 Feb 1910 | Oct 1997 | 87 | 4 | 4 | ||
Writer | Ronald Chesney | 52 | 4 May 1920 | 12 Apr 2018 | 97 | 6 | 6 | ||
Writer | Ronald Wolfe | 49 | 8 Aug 1922 | 18 Dec 2011 | 89 | 6 | 6 | ||
Uncredited | |||||||||
Camera Operator | John Howard | 2 | 2 | ||||||
Production Runner | Philip Campbell | 20 | 1952 | 70 | 9 | 9 |
Cast
Character | Actor | Age at Release | Birth | Death | Age | Hammer Productions | |||
Click a link for more info | Credited | Uncredited | Total | ||||||
Angry Passenger | Dervis Ward | 48 | 5 Dec 1923 | 27 Mar 1996 | 72 | 2 | 2 | ||
Arthur | Michael Robbins | 41 | 14 Nov 1930 | 11 Dec 1992 | 62 | 5 | 5 | ||
Blakey, his Inspector | Stephen Lewis | 45 | 17 Dec 1926 | 12 Aug 2015 | 88 | 3 | 3 | ||
Gladys | Juliet Duncan | 1 | 1 | ||||||
Gloria | Jan Rennison | 1 | 1 | ||||||
Harry | Tex Fuller | 46 | 11 Dec 1925 | 7 Oct 2020 | 94 | 3 | 3 | ||
His Mum | Doris Hare | 67 | 1 Mar 1905 | 30 May 2000 | 95 | 3 | 3 | ||
Jack | Bob Grant | 40 | 14 Apr 1932 | 8 Nov 2003 | 71 | 3 | 3 | ||
Mr Jenkins | Kevin Brennan | 51 | 12 Sep 1920 | 17 Dec 1998 | 78 | 1 | 1 | ||
Mrs Jenkins | Damaris Hayman | 43 | 16 Jun 1929 | 3 Jun 2021 | 91 | 2 | 1 | 3 | |
New Inspector | Bob Todd | 50 | 15 Dec 1921 | 21 Oct 1992 | 70 | 3 | 3 | ||
Norah | Pat Ashton | 41 | 1 Jan 1931 | 23 Jun 2013 | 82 | 3 | 3 | ||
Nurse | Nicolette Chaffey | 1 | 1 | ||||||
Olive, his Sister | Anna Karen | 35 | 19 Sep 1936 | 22 Feb 2022 | 85 | 3 | 3 | ||
Olive's Baby | Wayne Westhorpe | 1 | 1 | ||||||
Pilot | Michael Nightingale | 49 | 6 Oct 1922 | 8 May 1999 | 76 | 2 | 1 | 3 | |
Policeman (Mobile) | Barry Linehan | 46 | 23 Sep 1925 | 8 Jun 1996 | 70 | 3 | 3 | ||
Policeman (On Beat) | David Rowlands | 28 | 1 Jan 1944 | 79 | 2 | 2 | |||
Policeman (Safari Park) | Roger Avon | 57 | 23 Nov 1914 | 21 Dec 1998 | 84 | 2 | 1 | 3 | |
Safari Guard | David Lodge | 50 | 19 Aug 1921 | 18 Oct 2003 | 82 | 10 | 10 | ||
Sandra | Caroline Dowdeswell | 27 | 7 Mar 1945 | 77 | 2 | 2 | |||
Stan | Reg Varney | 56 | 11 Jul 1916 | 16 Nov 2008 | 92 | 3 | 3 | ||
Susy | Janet Mahoney | 34 | 1 Jan 1938 | 84 | 1 | 1 | |||
Uncredited | |||||||||
Bus Driver | Harry Fielder | 32 | 26 Apr 1940 | 6 Feb 2021 | 80 | 10 | 10 | ||
Bus Driver | Bill Burns | 1 | 1 | ||||||
Bus Passenger | Tina Simmons | 4 | 4 | ||||||
Clippie | Jill Goldston | 29 | 1 May 1943 | 79 | 1 | 1 | |||
Darts Match Guest | Alf Mangan | 55 | 21 Oct 1916 | 16 Jun 1988 | 71 | 4 | 4 | ||
Driver | Tom O'Leary | 1 | 1 | ||||||
Nurse with Wheelchair | Sally Osborne | 19 | 19 Sep 1952 | 70 | 1 | 1 | |||
Woman Getting Off Bus | Shirley English | 2 | 2 |
Production
FILMING BEGAN | 21 February 1972 | |
UK RELEASE | 30 July 1972 | |
STUDIO | Elstree Studios of Associated British Picture Corporation, Hertfordshire, England | |
LOCATION | Windsor Safari Park, St. Leonards Hill, Windsor, Berkshire, England | Tour scenes with lions |
Borehamwood, Hertfordshire |
Footnotes
The title of the film was chosen in a nationwide competition.
With the British film industry in general in deep recession and American funding drying up, Hammer, in desperate need of cash like everyone else, had little choice in a way and reverted more and more to making home-grown comedies based on popular television series. In the long run, though, it was not to be the solution to their ever-worsening crisis.
Details were complied viewing the actual film.
Source of viewing copy – The Hammer Graveyard Collection